標籤: 台灣
阮慶岳 × 沈昭良 × 張世倫 × 李威儀
閱讀的姿勢:台灣攝影書出版對話
The Gesture of Reading :
Dialogue on Publishing Photography in Taiwan
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宋隆泉 × 蔡明德 × 許村旭
街頭現場:抗議影像與戒嚴世代
On the Streets : Images of Protests
and the Martial Law Generations
主持──李威儀
紀錄──夏亞凡
日期──2014年7月29日
本文原刊載於
《Voices of Photography 攝影之聲》
Issue 13 : 抗議、行動與影像
與張才、鄧南光合稱為「台灣攝影三劍客」的台灣前輩攝影
李鳴鵰生於日治時代的新竹州大溪郡(現桃園大溪),14
作為台灣少數持續關注攝影閱讀的獨立刊物,《攝影之聲》在這期特輯裡,將攝影的重要表現媒介 ——「書本」作為主角,論辯當代攝影書在台灣的存在位置與價值,試著為這座擁有24小時書店的閱讀之島,重新定位攝影書的理解座標。
Comments closedComments closed2011年冬天的一個午後,我和陳順築約好見面,我們在台北長安西路上的一家地下室咖啡館坐了下來,對面的台北當代藝術館正在舉行他的個展。話匣子打開,我們聊到夜幕低垂才離去。這段訪談後來整理並收錄在隔年一月發行的《攝影之聲》第三期裡。
這兩年,陳順築發現自己罹癌,他辭去22年的教學工作專心養病。我們去看他,消瘦的身形卻讓他那雙深邃的雙眼,顯得更加巨大而清亮。他說,病後才更覺察到生命是極其有限的時間,而他或許可以放下很多事,但放不下藝術,關於創作,他還有好多想像,但可惡的時間在與他賽跑⋯⋯
2014年9月,陳順築的最後一個臉書動態,停留在照片裡的一個背影,他站得高高地,獨自面向一片粼粼波光。一個月後,他在夢中遠行,帶著他的鄉愁記憶,去一個更高的地方望海。
我們在已經絕版的雜誌中找出這篇三年多前的對話,並在本期重新刊載;同時收錄藝術家陳界仁與姚瑞中寫給順築的信,以及從他借給我們的自1989年起至近期的數本個人手札中,選錄了一些他的隨筆與塗鴉。他說,這些筆記是一個藝術家天真的私語,有些玩笑,有些認真⋯⋯
謹以此,作為我們對於陳順築的思念。
One winter afternoon in 2011, I met up with Chen Shun-Chu in a Taipei cafe on Chang-an West Road. His solo exhibition was then on-going in the Museum of Contemporary Art Taipei opposite the cafe. We chatted till late in the night. The interview was later published in the 3rd issue of VOP the next year.
Chen learnt about his cancer and quit the teaching profession that he had been in for 22 years. In these two years, he had been trying to fight the illness. We visited him and saw his frame becoming frail; his eyes seemed even deeper and larger as his body became thinner. He expressed that the illness had made him realize all the more that life is extremely short, and that he might not be able to hang on to a lot of things, but not art. He still had a lot of ideas about artistic creations, but time was against him……
His last Facebook status update in Sep 2014 was a photograph of a back shot, looking over the sea from a high fence. A month later, he passed away in his dreams,bringing with him all his memories and love of his motherland, setting off to an even greater height to gaze at the sea.
We extracted this from a conversation that is more than 3 years old which was featured in an out-of-print issue of Voices of Photography – re-published in this issue alongside letters to Chen Shun-Chu from artists Chen Chieh-Jen and Yao Jui-Chung, as well as some of his drawings and words from a huge stack of personal notebooks he’s kept since 1989 which he lent us. He said that these memos were an artist’s dreams: some were jokes, some were serious……
In memory of Chen Shun-Chu.
文 / 沈昭良
當我得知這本新攝影專業誌的名稱叫《Voices of Photography》,心裡就一直想著,攝影真要能發出點連動感知與思想的聲響,它會是什麼樣的視覺內容與書寫方式?應該透過什麼樣的載體與傳輸路徑?這股攝影之聲方可能精準地彈奏,時而澎湃高亢,時而恬淡動人。腦海裡更不時翻現,過去閱覽某些攝影集時的記憶與悸動。
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