Skip to content

ϟϟ SHOUT特輯 IV ϟϟ

SHOUT是《攝影之聲》出版的一份不定型特輯系列,本輯內含三份影像讀物,收錄Su Misu、林建文及吳美琪的作品,關於他們與對象之間的綑縛、疊映與組構……

SHOUT is a special issue series published by Voices of Photography with no stylistic limitations. This issue contains three image compilations by Su Misu, Lin Chien-Wen and Wu Mei-Chi, depicting the binding, layering and weaving of images and the objects in them…

Su Misu

生於1990年,Su Misu從事攝影與行為藝術,並長期涉足BDSM和LGBTQ+文化現場,以「合成」及「非自然」為創作命題。她曾出版攝影書《ihategoodbye》(2016年),並舉辦個展「Su Misu solo-exhibition: I am a fake but my heart is true, Part II」(其玟畫廊,台北,2019年)。目前工作及居住於台灣台北。

吳美琪

1989年生於台灣台南,現任NEPO Gallery的藝術總監,從事策展及編輯設計攝影出版品。曾舉辦個展「XXY – The Space of Things物事的場所」(NEPO Gallery,台北,2016年)、「XYX – A Moveable Feast流動的饗宴」(台北亦安畫廊,台北,2017年),「YXX – The Flares」(亞紀畫廊,台北,2019年)並參與多項國際攝影聯展。

林建文

1987年生於台灣台北。2015年獲紐約視覺藝術學院時尚攝影系MPS學位。他經常透過拼貼、並置與重組他在日常生活中記錄的風景、人物與物質,並利用不同的時空與敘事,將來自不同時空的切片影像重組成為一個新的事實(重現),藉此挑戰或驗證影像是否如同我們想像中般「直覺」。

Born in 1990, Su Misu is engaged in photography and performance art, and has long been involved in the exploration of the BDSM and LGBTQ+ genres. Inspired by the “Synthetic” and “Unnatural”, she has published a photobook, ihategoodbye (2016) and held the “Su Misu solo-exhibition: I am a fake but my heart is true, Part II” in 2019 at the Chi-Wen Gallery in Taipei. Su Misu is currently based in Taipei, Taiwan.

Born in Tainan, Taiwan in 1989, Wu Mei-Chi currently is the art director of NEPO Gallery, where she curates exhibitions and acts as the editor and designer of the gallery’s photography publications. She has held several solo exhibitions, such as “XXY-The Space of Things” at NEPO Gallery in Taipei in 2016, and “XYX-A Moveable Feast” at Aura Gallery Taipei in 2017. She has also participated in several international joint exhibitions.

Lin Chien-Wen was born in Taipei, Taiwan in 1987. He earned his Master of Professional Studies degree from the School of Visual Art Fashion Photography Department, New York, U.S.A. in 2015. Lin often uses collages to juxtapose and restructure the people, scenery and materials he observes in his daily life. Utilizing images from different times and spaces to form (reconstruct) new facts, he tries to challenge, or prove, the concept of whether images are as “intuitive” as we have always imagined them to be.

《SHOUT特輯 IV》 | 影言社出版 | 2019年 | 三份輯冊與文字
多種尺寸 | 中文 & 英文
SHOUT IV | Published by VOP | 2019 | Various compilations
Various sizes | Chinese & English

*本期Su Misu作品之龜甲縛由藝術家與皮繩愉虐邦成員手工綁縛,特此鳴謝!

限量500冊
Limited edition of 500 copies