文/林芷筠
當台灣從威權時代步入民主化社會,轉型正義工程也從司法、歷史書寫、公共政策等面向延伸至當代藝術。「轉型正義」是以重建歷史的真相並達成受害者創傷修復、加害者責任追究,最終以社會和解為目標。倘若在體制內的作為穩健朝向和解,並使民主、人權與正義成為主要的追求。那麼當代藝術的角色為何?當代藝術介入轉型正義工程的目的與效益為何?2020綠島人權藝術季「如果,在邊緣,畫一個座標」是一次當代藝術介入政治與歷史事件的實踐。
標籤: 當代藝術
《Voices of Photography攝影之聲》是一份影像文化獨立刊物。自2011年創刊以來,每期介紹攝影創作,藉由與藝術家、出版人、策展人、藝術機構和相關工作者的對話思辨,以及持續推動影像閱讀、評論與攝影史的書寫,探索攝影的創作概念、文化、歷史與思潮。
《攝影之聲》長期關注亞洲的攝影發展歷程,重視亞際連結,並致力爬梳影像文獻,集結許多研究學者共同參與撰述,透過每期不同的主題視野,製作出豐富的專題與單元。同時,在引介新進創作者的「SHOUT特輯」系列,以多樣而不定型的表現,呈現年輕藝術家的作品與思索,成為一份份特別的當代視覺筆記;《攝影之聲》也投入整理藝術家的創作檔案與手稿,陸續推出藝術家專號,收錄許多第一手的藝術創作資料;近期並以「影言社」為名出版影像書寫評論,是台灣少數專注於攝影與視覺文化論述領域的獨立出版單位,曾多次獲頒台灣出版界最高榮譽「金鼎獎」獎項。
Voices of Photography is an independent publication dedicated to image culture. Since its inception in 2011, VOP has been exploring the creative concept, culture, history and philosophy behind photography by featuring photography works, interviews with artists, publishers, curators, art organizations and related professionals, and continually promoting imagery reading, critique, and the writing of photography history.
Paying close attention to the development of photography in Asia, VOP places special importance on inter-Asian connections. By combing through image literature and collating writings through collaborative effort with research scholars, VOP has presented rich and varied features and topics in every issue. At the same time, every issue of “SHOUT”, a series specially created to showcase the works and thoughts of emerging artists and presented in diverse formats, is a unique visual notebook of contemporary art. VOP is also working on putting together archives of creative works and manuscripts of artists, publishing them in special artist issues that feature never-seen-before works for the first time. Now engaging in the publication of written work and criticism through VOP BOOKS, VOP is one of the rare few independent publishers in Taiwan that focuses on photography and visual art, earning the Golden Tripod Awards, the highest honor in Taiwan’s publishing industry.
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